• Are Brands Shortchanging The Southeast?

    We pride ourselves on having a large market in the Southeast. Numbers and statistics support this claim. When I was in the telecom industry, Onitsha was a big revenue center for the telcos.

    However, we cannot say that brands benefiting from the huge Southeast market have shown enough good faith in their social investments decision-making and this is baffling.

    Lagos, Abuja, and Port Harcourt usually receive a large chunk of corporate sponsorships from major Nigerian brands, to the neglect of the Southeast market, which can be likened to the goose that lays the golden egg.

    We once had MTN as the title sponsor of Enugwu-Ukwu Igu-Aro and the other associated festivals. That relationship stopped and no other brand has bothered to throw their muscle behind the rich cultural fest. Globacom sponsors the Onitsha Ofala Festival. However, other brands are yet to step in as co-sponsors to help blow the festival the same way they have done with the Ojude Oba festival in Ijebu-Ode, Ogun state.

    These fliers are just a few examples of how other brands have helped to activate the Ojude-Oba festival.

    Organizing world-class festivals requires a lot of resources which only brands can provide. We people of the Southeast are demanding more from brands that are generating tons of revenue from the Southeast. Fair is fair.

    We are simply asking for a re-think of the corporate social investments (CSI) strategies of major Nigerian brands to also favour the Southeast which also generates the revenues for them.

    The argument that insecurity in the Southeast is one of the reasons why brands chose to stay away from CSI investments is not completely true. Insecurity may have impacted social life but people are still making calls and using data in the Southeast so the telcos can’t complain. On the Mondays of sit-at-home, I can bet that data and call usages increase as people idle away at home. On weekends, and even weekdays, bars and nightclubs are still banging so beverage companies are smiling. The financial services sector is thriving despite the security challenges. POS operators are almost lined up inch after inch in our communities. Banks are still declaring trillions of Naira in profits.

    During festive periods such as Easter, New Yam, and Christmas seasons when these festivals take place. It’s choc-a-block and bumper-to-bumper traffic in the Southeast. So a bit more CSI gaze towards the Southeast by the brands won’t be a bad idea. The tokenism approach should be discarded because it’s good business for them.

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    Are Brands Shortchanging The Southeast? We pride ourselves on having a large market in the Southeast. Numbers and statistics support this claim. When I was in the telecom industry, Onitsha was a big revenue center for the telcos. However, we cannot say that brands benefiting from the huge Southeast market have shown enough good faith in their social investments decision-making and this is baffling. Lagos, Abuja, and Port Harcourt usually receive a large chunk of corporate sponsorships from major Nigerian brands, to the neglect of the Southeast market, which can be likened to the goose that lays the golden egg. We once had MTN as the title sponsor of Enugwu-Ukwu Igu-Aro and the other associated festivals. That relationship stopped and no other brand has bothered to throw their muscle behind the rich cultural fest. Globacom sponsors the Onitsha Ofala Festival. However, other brands are yet to step in as co-sponsors to help blow the festival the same way they have done with the Ojude Oba festival in Ijebu-Ode, Ogun state. These fliers are just a few examples of how other brands have helped to activate the Ojude-Oba festival. Organizing world-class festivals requires a lot of resources which only brands can provide. We people of the Southeast are demanding more from brands that are generating tons of revenue from the Southeast. Fair is fair. We are simply asking for a re-think of the corporate social investments (CSI) strategies of major Nigerian brands to also favour the Southeast which also generates the revenues for them. The argument that insecurity in the Southeast is one of the reasons why brands chose to stay away from CSI investments is not completely true. Insecurity may have impacted social life but people are still making calls and using data in the Southeast so the telcos can’t complain. On the Mondays of sit-at-home, I can bet that data and call usages increase as people idle away at home. On weekends, and even weekdays, bars and nightclubs are still banging so beverage companies are smiling. The financial services sector is thriving despite the security challenges. POS operators are almost lined up inch after inch in our communities. Banks are still declaring trillions of Naira in profits. During festive periods such as Easter, New Yam, and Christmas seasons when these festivals take place. It’s choc-a-block and bumper-to-bumper traffic in the Southeast. So a bit more CSI gaze towards the Southeast by the brands won’t be a bad idea. The tokenism approach should be discarded because it’s good business for them. Copied
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  • Many people are letting emotions cloud their judgment when it comes to the recent drama surrounding Veekee James and a designer allegedly copying her work. While it’s natural to defend someone you admire, business—especially in today’s social media age—operates on strategy, not sentiment.

    Here’s the truth: in fashion, smaller brands that mimic successful designers can pose a serious threat, no matter how established the original brand is. It’s not just about who came first or who is more “original.” Sometimes, the imitator uses the attention from that comparison to launch themselves into the spotlight.

    That seems to be what’s happening here. The emerging designer may appear less skilled or less known, but he’s cleverly positioning himself to benefit from the controversy. He’s using Veekee’s fame as a springboard, and honestly, it’s a smart—if risky—move.

    It only takes one celebrity endorsement to change everything. If a major name decides to give him a shot, and he delivers a bold, fresh design, the internet will explode. People will forget about who copied whom. Instead, they’ll say, “Wow, look what he did!” And unfortunately, Veekee could still catch criticism in the fallout.

    That’s why I believe Veekee should’ve played it differently. Publicly reacting gave him the validation he needed. If she had stayed silent and let her legal team quietly handle things, he would’ve had less momentum. Instead, now he gets to be “the guy who copied Veekee”—and that alone could drive his visibility and sales.

    In public relations, some individuals act like leeches. They latch onto bigger names, hoping to gain relevance by association. This designer might seem harmless now, but his entire strategy relies on the Veekee brand to boost his own.

    And let’s be honest, the internet is emotional and unpredictable. The designer seems to know this—and he’s aimed his strategy squarely at a Nigerian audience that loves an underdog story. If he pulls off one standout piece for a celebrity, the same fans who supported Veekee could turn around and say, “See? He’s even better.”

    Bottom line: don’t underestimate a small brand just because they look like they’re copying. Sometimes, that’s exactly the plan. In this game, staying calm, strategic, and legally smart is the best defense.

    Veekee didn’t need to respond with emotion. She needed to respond with silence and strength. That alone would have disrupted his plan entirely.
    Many people are letting emotions cloud their judgment when it comes to the recent drama surrounding Veekee James and a designer allegedly copying her work. While it’s natural to defend someone you admire, business—especially in today’s social media age—operates on strategy, not sentiment. Here’s the truth: in fashion, smaller brands that mimic successful designers can pose a serious threat, no matter how established the original brand is. It’s not just about who came first or who is more “original.” Sometimes, the imitator uses the attention from that comparison to launch themselves into the spotlight. That seems to be what’s happening here. The emerging designer may appear less skilled or less known, but he’s cleverly positioning himself to benefit from the controversy. He’s using Veekee’s fame as a springboard, and honestly, it’s a smart—if risky—move. It only takes one celebrity endorsement to change everything. If a major name decides to give him a shot, and he delivers a bold, fresh design, the internet will explode. People will forget about who copied whom. Instead, they’ll say, “Wow, look what he did!” And unfortunately, Veekee could still catch criticism in the fallout. That’s why I believe Veekee should’ve played it differently. Publicly reacting gave him the validation he needed. If she had stayed silent and let her legal team quietly handle things, he would’ve had less momentum. Instead, now he gets to be “the guy who copied Veekee”—and that alone could drive his visibility and sales. In public relations, some individuals act like leeches. They latch onto bigger names, hoping to gain relevance by association. This designer might seem harmless now, but his entire strategy relies on the Veekee brand to boost his own. And let’s be honest, the internet is emotional and unpredictable. The designer seems to know this—and he’s aimed his strategy squarely at a Nigerian audience that loves an underdog story. If he pulls off one standout piece for a celebrity, the same fans who supported Veekee could turn around and say, “See? He’s even better.” Bottom line: don’t underestimate a small brand just because they look like they’re copying. Sometimes, that’s exactly the plan. In this game, staying calm, strategic, and legally smart is the best defense. Veekee didn’t need to respond with emotion. She needed to respond with silence and strength. That alone would have disrupted his plan entirely.
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  • Sola Akintayo is a digital content creator, strategist, and media expert with a passion for helping brands and individuals tell powerful stories that connect and convert. With over a decade of experience across social media marketing, video production, blogging, and brand consulting, Sola has carved a unique niche as one of Nigeria’s leading voices in content creation.

    Her journey began with a simple blog in 2013, where she shared everyday lifestyle stories and social media tips. Today, Sola runs a thriving multimedia brand that empowers businesses to grow online using engaging content, smart strategies, and authentic storytelling. From managing viral Instagram campaigns to producing YouTube tutorials that have impacted thousands, she has helped shape the digital presence of startups, fashion labels, NGOs, and thought leaders across Africa.

    Sola holds certifications in Digital Marketing, Video Storytelling, and Social Media Strategy. Beyond content creation, she speaks at workshops and conferences, mentoring the next generation of African female creators to embrace their voice and own their space online.

    Her content philosophy is simple: "Create with clarity, show up with confidence, and always connect with purpose."

    When she’s not creating, you’ll find her curating playlists, exploring Nigerian art galleries, or hosting her weekly Instagram Live sessions where she shares tips on growing a personal brand.

    Let’s connect and create magic together.
    Sola Akintayo is a digital content creator, strategist, and media expert with a passion for helping brands and individuals tell powerful stories that connect and convert. With over a decade of experience across social media marketing, video production, blogging, and brand consulting, Sola has carved a unique niche as one of Nigeria’s leading voices in content creation. Her journey began with a simple blog in 2013, where she shared everyday lifestyle stories and social media tips. Today, Sola runs a thriving multimedia brand that empowers businesses to grow online using engaging content, smart strategies, and authentic storytelling. From managing viral Instagram campaigns to producing YouTube tutorials that have impacted thousands, she has helped shape the digital presence of startups, fashion labels, NGOs, and thought leaders across Africa. Sola holds certifications in Digital Marketing, Video Storytelling, and Social Media Strategy. Beyond content creation, she speaks at workshops and conferences, mentoring the next generation of African female creators to embrace their voice and own their space online. Her content philosophy is simple: "Create with clarity, show up with confidence, and always connect with purpose." When she’s not creating, you’ll find her curating playlists, exploring Nigerian art galleries, or hosting her weekly Instagram Live sessions where she shares tips on growing a personal brand. Let’s connect and create magic together.
    Like
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